Happy Halloween!
Enjoy your Halloween weekend with Alphabeast from Heather-Lynn Aquino.
[Link thanks to Patric King at Today's Obsession]
Enjoy your Halloween weekend with Alphabeast from Heather-Lynn Aquino.
[Link thanks to Patric King at Today's Obsession]
Posted by
Ana
at
5:29 PM
43
comments
Labels: typography
We are happy to see that the back issues of U&lc are now available online for high-res and low-res download. Fonts.com has scanned all 26 years of issues and is planning to make one year's worth of issues available every month. The first year is up right now so get the first issue with art and editorial direction by Herb Lubalin.
Posted by
kirsten
at
10:56 PM
16
comments
Labels: magazine, typography
The talented Marian Bantjes will give an insightful talk on Monday, November 1st here in NYC about her career, her design and most importantly her beautiful typography. Paula Scher will introduce her and at the end of the event you can pick up Bantjes' new book called I Wonder. Tickets are still available.
Posted by
kirsten
at
11:24 PM
0
comments
Labels: event, typography
Our good friend Britton Walters brought to our attention an awesome book called Custom Lettering of the 60s & 70s that has culled all the great hand-drawn fonts from the 60s and 70s by designer Rian Hughes. A treasure trove of amazing typography for any hardcore type addict.
Posted by
kirsten
at
11:25 PM
9
comments
Labels: book, typography
Typography for Lawyers is the layman's guide to good typography. While some of the information is quite specific to the law profession, the use of semi-colons, small caps, "curly" quotes and so many other simple facts are universally applicable. I would recommend this to anyone in a position to produce printed documents -- bankers, insurance agents, doctors, et al. Good typography is not just for designers.
(Thanks to Madeline at Tag Team Tompkins for the recommendation)
Posted by
Ana
at
2:46 PM
7
comments
Labels: typography
Discovered via Neatorama. Let the hatred continue. Can I nitpick the excessive use of caps in the reply sign too?
Posted by
Ana
at
11:47 AM
1 comments
Labels: typography
We love typography here at Pica + Pixel so we were delighted to discover the Hyperactivitypography Book by the Norwegian design studio, Studio 3. The book is structured like a how-to-children's book with awesome lessons on how to kern and what ligatures are. The first edition of the book is sold out for now, but they plan to print more. Neat!
[Thanks to Jake for the tip!]
Posted by
kirsten
at
11:27 PM
4
comments
Labels: book, typography
Beautiful hand lettered type from Leigh Wells.
Posted by
kirsten
at
6:34 PM
1 comments
Labels: illustration, typography
Emigre just released a 64 page new type specimen book showing how to mix and match their fonts in a dozens of creative and beautiful ways. The book is only $3 and comes with an additional five type specimens including the Mrs Eaves, Mr Eaves, Matrix II, and Vista catalogs.
Posted by
kirsten
at
10:38 PM
3
comments
Labels: book, design, typography
Silvia Cordero Vega AKA Letrerias is a calligrapher from Argentina whose work is quite unique. This is a silkscreened piece she is creating as part of a collection for Calligraphy Week (Semana caligráfica) at Papelera Palermo in Honduras.
See more of her work on her Flickr or visit her web site.
Posted by
Anonymous
at
8:39 AM
0
comments
Labels: typography
Fun design blog from Fast Company. Love their post about how to choose a typeface. Awesome.
Posted by
kirsten
at
11:38 PM
2
comments
Labels: blog, design, typography
On Sketching from Erik van Blokland on Vimeo.
Erik van Blokland’s (of Letterror fame) letterform sketching method, passed down from Gerrit Noordzij and taught at the The Hague.
(via Stüf Stuff and tipped off by Frank Chimero's Twitter feed -- thank you very much!)
Posted by
Anonymous
at
12:22 PM
0
comments
Labels: typography, video
The other day we got a lovely email from illustrator Gemma Correll and all of her work made us smile. We loved her quirky, cute illustrations of cats, pugs and humans along with her whimsical patterns and typography.
Posted by
kirsten
at
11:27 PM
0
comments
Labels: illustration, typography
You think I'm pedestrian and tacky? Guess the fuck what, Picasso. We don't all have seventy-three weights of stick-up-my-ass Helvetica sitting on our seventeen-inch MacBook Pros. Sorry the entire world can't all be done in stark Eurotrash Swiss type.I think Comic Sans sounds bitter. You?
Posted by
Anonymous
at
12:32 PM
0
comments
Labels: typography
A couple weeks ago, I posted about the Healey Exhibit that was brought to Kansas City by IAMPETH (The International Association of Penmen Engrossers Teachers of Penmanship). The show was amazing! The sheer volume of work featured was overwhelming, from decorative lettering samples and ornate certificates to teaching examples of business penmanship. Each piece was the original art so all the retouching was evident as well as stunningly delicate pen strokes. Many pieces were created at double size and then reduced for publication make the work even cleaner and more precise.
I took so many photos of the exhibition, that I am storing all the images on a separate site. I hope you enjoy the images. If anyone is interested in higher rez versions of any of the files, drop me an email and I will post them.
Posted by
Anonymous
at
2:41 PM
0
comments
Labels: exhibition, typography
IAMPETH (The International Association of Penmen Engrossers Teachers of Penmanship) are hosting an exhibition of The Healey Collection Exhibit Saturday and Sunday, May 29 – 30, 2010 from 9am-9pm at the Hilton at the Kansas City Airport (MCI). Tickets are $15 per person.
Horace G. Healey was penman during America’s Golden Age of Penmanship. In 1909 he became the managing editor of the Penman's Art Journal. In his years with the Journal, he acquired a large collection of pen art. Upon his death, half of his collection was donated to the New York City Public Library and the remainder of the collection remained with the Zaner-Bloser Company where it remained stored until it was acquired by Mike Sull on behalf of IAMPETH. The exhibition will include phenomenal Penman’s Art Journal cover art, engrossing art, flourishing, penmanship, broad-pen as well as drawn alphabets, lessons in business writing, Engrosser’s script, Old English, line art illustration and much more.
Posted by
Anonymous
at
3:12 PM
1 comments
Labels: exhibition, typography
Tangier is a font by Richard Lipton which was use in the Glamour magazine redesign. Read more about Tangier and Richard Lipton's creative process in an interview on My Fonts.
Posted by
kirsten
at
11:16 PM
0
comments
Labels: interview, typography
Alejandro Paul has just released Brownstone, a new monoweight font family complete with a set of luscious interconnected border options.Decorative yet simple.
Purchase individual weights from Veer or the whole font family from Paul's foundry, Sudtipos.
More images can be seen on Typography Served.
Posted by
Anonymous
at
4:06 PM
1 comments
Labels: font-of-the-week, typography
Posted by
Anonymous
at
8:33 AM
3
comments
Labels: inspiration, typography
Show your love for the ampersand by getting either one of these niffy fashion statements: a brooch or cufflinks. Two of the fun products in the Veer store.
Posted by
kirsten
at
11:17 PM
1 comments
Labels: product, typography, wearables